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Fiat Facelifter, a hypothetical sculpture of a Brass Knuckle painted with Musou Black acrylic which absorbs 99.4% of light, rendering it a near Invisible void. This artwork mirrors the cataclysmic Black Monday crash of October 19, 1987, when global markets plummeted, erasing wealth like a black hole devours light. the era’s superficial economic optimism, masking structural flaws. Coated in the blackest black, Fiat Facelifter becomes a metaphor for absence and collapse, its form consumed by darkness. Like a black hole, it draws viewers into a confrontation with the invisible forces of history and value.
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