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August 15, 2024 7:03:03 PM UTC
200,000 sats
0.002 BTC
August 15, 2024 7:03:04 PM UTC
200,000 sats
0.002 BTC
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August 15, 2024 7:00:27 PM UTC
175,000 sats
0.00175 BTC
August 15, 2024 7:00:28 PM UTC
150,000 sats
0.0015 BTC
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125,000 sats
0.00125 BTC
August 15, 2024 6:59:51 PM UTC
100,000 sats
0.001 BTC
August 14, 2024 8:37:39 PM UTC
75,000 sats
0.00075 BTC
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August 14, 2024 8:36:47 PM UTC
50,000 sats
0.0005 BTC
August 14, 2024 8:36:48 PM UTC
50,000 sats
0.0005 BTC
August 14, 2024 5:51:48 PM UTC
25,000 sats
0.00025 BTC
Nr. 02 from the PoopPixel series. A total of 6 pieces are available in different auctions.
Art description: "The PoopPixel"
"The PoopPixel" is an innovative art series by renowned artist Kanuto Takumi that provocatively explores the boundary between digital and physical art. Each work in the series consists of exactly 575 small, laughing piles of poop, playfully reminiscent of Shitcoins. These humorous yet whimsical symbols serve as satirical commentaries on the world of digital finance and its often absurd dynamics.
Unlike digital artworks, which can be reproduced with simple mouse clicks, "The PoopPixels" are physical art objects. These works cannot simply be copied or downloaded, but exist as unique, tangible images. This gives them a special authenticity and sets them apart from the reproducible nature of digital art.
The series plays with the concept of the pixel, which is known as the basic building block of digital images and transforms it into a physical form. This creates an interesting tension between the virtual world and real, material art. "The PoopPixels" thus questions the notion of value and originality at a time when digital artworks have come to the fore through NFTs and ordinals.
A special feature of these works of art is the 3D effect of the small piles of excrement. This three-dimensional design makes the images fascinating both up close and from a distance. Up close, you can see the detailed and humorous depiction of each pile, including little butts, some of which have been added, inviting the viewer to explore in great detail. From a distance, however the 575 turds merge into a new, surprising representation that offers the viewer a completely different perspective on the artwork.
With "The PoopPixel", Kanuto invites the viewer to reflect on the transience of digital trends and the permanence of physical art. He asks us to reflect on the way we consume and value art, reminding us that true art often lies in its distinctiveness and material presence.
With a wink and a critical depth, "The PoopPixel" speaks to both the digital generation and traditional art lovers. This series encourages us to question the relationship between digital hype and physical reality and to discover the unique beauty in the marriage of both worlds.
Physical Artwork:
NO RESERVE
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